Animation to Dialogue from Raye Newman on Vimeo.

My final piece of animation to dialogue from traditional to maya.

Untitled from Raye Newman on Vimeo.

For this project i had to animate to dialogue from Dr. Strangelove using the 'Jason Ryan technique.'

Untitled from Raye Newman on Vimeo.

A rotoscope of me teleporting. Painstaking process, but a nice effect

Finally we get to go back to 3d, I threw up some poses while I was waiting for the class to catch up

Untitled from Raye Newman on Vimeo.

Funnily enough, one of my classes requires me to make up a couple heros, but I think I'll do something else

I can't believe the term has almost finished, here's a clip a made in term 1.

Untitled from Raye Newman on Vimeo.

Untitled from Raye Newman on Vimeo.

Untitled from Raye Newman on Vimeo.

After doing learning from Jason, I think I could have exaggerated the poses far more

It looked so different in my head and to be honest, I'm not happy jan. It's frustrating that once the tradional animation is done, you can't just click undo or edit the timing on a graph, but it has taught me to be more mindful in the traditional process.

I've added music, camera and adjusted the background and even added a reflection. Enjoy


Mw New from Raye Newman on Vimeo.

I will post the finished version sometime in the future.


Moon Walk from Raye Newman on Vimeo.

My newest animation, I spent ages trying to get it to look right, hope you like it.


Harmless Armless from Raye Newman on Vimeo.

I would have really liked to have added a third anchor point so I could make the gymnastics style mickey back flips into a large one, but I just had to make do.


Post from Raye Newman on Vimeo.

One thing I found interesting, I think I like software animation *audience shriek*

Tree Falling from Raye Newman on Vimeo.

So this time, on top of animating a moving object, we had to add character.


Solid ball from Raye Newman on Vimeo.

Hopefully you can see without the use of special effects that the ball is 'angry and heavy.' I had to really stretch the movements, but I can see when you push the limits, you make some awesome animation.

This was a simple flash animation, I wanted to go against the grain and make a new spaceship that didn't look like a child drew. Most of the animation is drawn with my mouse which gives it that authentic look. The symbol is brb in webdings.


Brb spaceship from Raye Newman on Vimeo.

This time I tried to get a more elastic effect and more air time, its still dodgy but I think I'm getting better.


Bouncy ball from Raye Newman on Vimeo.

Lol the ball pops in at the end, but I saved it on the comp hard drive so I can't really edit it :(

My task was to animate an object bouncing, showing weight and character, this being my first software animation, I put all my efforts into getting the thing to bounce in the first place. I found this awesome pic of Chris and I made the bounce the top of his head each time.

Remember it is my first, so the air time is a little dodge

This is my first post, so ease up all you critics. My teacher wanted us to test the boundaries of animation with a ball - pretty much until it doesn't register in your mind and you think wtf... This is my attempt:

For some strange reason the non functioning test can't upload, so this is where added a couple frames to smooth the movement more.

What I learnt was that you can make a ball move from one side to the other in about 3fps though still hard to follow (in an animators terms which is really 6fps). My previous clip was 2fps from one side to the other, and without the in-between so the ball looked like it just appeared from nowhere.